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Dr. Ericsson makes a similar point. Playing the same thing over and over again might feel good without ever really helping you improve at the parts that are giving you the most trouble or mastering how to approach a similar piece next time. This passage was particularly illustrative to me:
Here’s Dr. Ericsson again: “You have to know whether you are doing something right and, if not, how you’re going wrong.” The good news for us musicians is that practicing music has a built-in feedback mechanism — you can generally hear it when you play something wrong, even more so as you get better or if you record yourself playing. This is different from say learning a language in a vacuum where you would have no idea if your pronunciation was right or wrong.
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In fact, any one item can be a costume: a funky, customized necklace, a big, bold hat, or even some sort of prop that helps you get into character on stage and channel a new identity. The one important thing to keep in mind is how everyone on stage interacts together visually; it’s essential to be unified somehow. If you have one person showing up in a suit, another dressed like a punk, and another wearing a neon bodysuit all you’ll be saying is that you don’t know what to say.
As we’ve established, one of the first places that phase issues can crop up is with multi-signal recordings. Common culprits include drum sets, or acoustic guitar setups. When two very similar (or even identical) signals with a delay of < 20ms are added together, they produce a phenomenon called comb-filtering. This is a hollow, sweeping kind of sound, similar to a jet airplane or traffic passing by. Although it’s exaggerated and used for musical purposes in flange effects, it’s generally unpleasant and should be avoided.
The first time you offer thousands of dollars to an act can feel incredibly stressful, but if you’re diligent about your research and transparent about your abilities and reach, you should be able to pay everyone — and make a little for yourself. At the very least, you’ll be showing your local music community that you care about equal pay and increasing opportunities.
“My family, we’re all musicians, we’re all artists, and my brother and sister, they usually make money by juggling at the stoplights or busking in Old San Juan,” she says. “And if there’s no stoplights left because they were all torn down in the hurricane, that means they don’t have their usual spot, and in Old San Juan, it’s not like any tourists are going to come to a disaster island. That is not something that we can count on.”
One look at Stereofox and it’s a streaming dream. The front page immediately presents you a bunch of streaming options, making it easy for you to select your mood and have the site curate tracks for you to discover immediately. It’s the least amount of work for the most amount of gain.
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Course: The Art of Hip-Hop Production
It’s important to get into good habits about drinking water consistently throughout the day. Some people just enjoy water, and hydrate themselves enough on their own. Others need to be reminded to not end up dehydrated. You could keep a water bottle within arm’s length on your desk so you’re reminded. You can also download one of many available apps like Waterlogged, Daily Water, and Idrated to help with this.
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I tend to use a medium-to-fast release setting. I’ve heard a lot of famous mixers say they set the release with the tempo of the song. So they would watch the gain reduction needle and have it release on beat with the song. I try my best to use this method.
Lastly, we have the lowest level of hierarchical importance. This would be all of the notes in Western harmony that are not contained within the C major scale, like D♭, E♭, A♭, and B♭.