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Melody isn’t made up of random notes anymore than speech uses random words. There’s as much grammar in a tune as there is in a paragraph. The notes in a well-written melody are organized into small groups called motifs. A motif is a group of 2, 3, 4 and not many more notes that played in that way, that are ordered together to make a tune easily identifiable — like a mugshot.

Plus, holy crap, they gave Bieber his own entire verse this time! He grew up so fast. Seriously, though, it’s really cool how all of the verses in this song are completely distinct from one another, yet still follow an 8+4 construction.

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In a song known for its supremely catchy guitar riff (what else is new?), this is Hamilton’s moment of rising up to say, “Hey, don’t forget about the bass… it’s flashy, too!” The high run works particularly well juxtaposed against the lower notes he’s played up to that point in that section (which is basically the same riff as in the verses). Specifically, the vamping on C, then dropping down to the open E and walking up chromatically to the fifth below it (G), makes the shooting up to the next octave C and climbing up to the E above it sound really great together.

This Beatles chiptune comp features some of the most imaginative and unexpectedly brilliant reinterpretations of everyone’s favorite songs from everyone’s favorite band.