Since the housing bubble burst in 2008, banks are skittish about lending money to nontraditional earners like songwriters, here’s how you can beat them.
Looking to advance your skills and open up more opportunities in music? Explore Soundfly’s growing array of Mainstage courses that feature personal support and mentorship from experienced professionals in the field, such as Faders Up: Modern Mixing Techniques, Beat Making in Ableton Live, Orchestration for Strings, and Unlocking the Emotional Power of Chords.
All of Soundfly’s mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Early 2000s rappers
It might also help to run your catalog through Royalty Exchange’s Know Your Worth app. This free, no-obligation tool gives songwriters an estimated value of their catalog, or potentially a verified offer from pre-qualified investors. Showing this to a lender provides a real, third-party value for your catalog, and can even be an alternative source of funds if the loan process doesn’t work out.
Secondly, be careful not to over-compress any of your tracks and, in particular, not to add heavy compression, limiting, or maximizing plug-ins on your master output channel. Leave the master compression adjustments for your mastering engineer, just like Joe Lambert says in the above video. Make sure to set all your volume faders to keep everything “under the red” so you avoid any clipping distortion.
Focus: Understand how to use Logic Pro thoroughly and to improve recording and mixing, as well as composition and songwriting skills using both audio and software instruments and samples.
Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.
SongTown is a really unique community of songwriters that help inspire growth and deliver unparalleled support to their readers, members, and peers. If you’re a writer looking for constructive criticism and helpful tips, definitely check their blog and service and events out.
Donate musical instruments to charity
Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!
Soundfly partners with leading edge music education sites and services to bring you unique tips, tools, and stories to empower and inspire our community to find their sound.
Building confidence and shaking self-doubt is a process. It takes time and patience. Start with altering your thinking, altering your actions and reactions, and soon your feelings will follow. Don’t quit! Doing so would be denying your passion, and robbing the world of your sublime singing. And that’s just selfish — we can’t have that. Keep at it.
In 2013, Marvin Gaye’s estate sued Robin Thicke, T.I. (Clifford Joseph Harris, Jr.), and Pharrell Williams, claiming that their smash hit “Blurred Lines” stole from Gaye’s 1977 song “Got to Give It Up,” as well as from Funkadelic’s “Sexy Ways” from 1974. Though Thicke and Pharrell were found guilty as songwriters, there are no proven musical similarities between the two songs. The jury was influenced by the “feel” and “groove” of the two works, components that are not protected under copyright law. Many musicians and legal experts were concerned that this decision set a dangerous legal precedent and blurred the lines of what musical elements are protectable.
If you’re an indie touring musician who’s used to a certain type of environment, and you still need some convincing, here are six great reasons why you should play more house shows.