Will Marshall is a singer, composer, producer, pianist, synthesist, engineer and educator. Will has engineered for artists such as Oscar-nominated film composer Nicholas Britell, Grammy-nominated jazz musician Patrick Gleeson, R&B singer Vudajé, experimental composer Augur Duende, and electronic acts Ill Gates, Freq Nasty and the Fungineers. He is currently consulting mix engineer and producer for Sennie Records in San José. As an educator, Will taught at Pyramind in San Francisco from 2015-2018 and is a well-known authority in the creative applications of music technology. He has written and directed several in-depth educational video series, taught numerous workshops, and accepts occasional private students.
There are many contenders for the title of the 20th century’s “greatest opera,” and Alban Berg’s transgressive magnum opus Lulu is undoubtedly one of them. Love, eroticism, and death have always been stalwart themes of opera, yet Lulu still has the ability to surprise audiences through its unflinching examination of these themes — in part due to Berg’s incorporation of a complex, full-orchestral palindrome at the heart of the work.